Client-facing role with director and agency.
Shoot only allowed for two live buffalo on location.
Designed shape of herds for compositional depth, editorial continuity, and creature variety.
Regraded buffalo plates for time-of-day lighting changes.
Removed all buffalo wranglers, harnesses, etc.
2d animation to enhance timing on stunt floor performance.
Comped additional practically-shot flame elements with heat haze and interactive lighting.
Rebuilt the plate, removing firefighter, gas lines, practical flame propellents, etc.
Loads of additional cleanup, wire removal, matte painting.
Responsible for final comp.
Designed virtual camera move to match to balance perspective of different camera moves on foreground and background talent.
2d animation on clothing items falling through frame
IBK and Primatte key on talent, objects.
Edge treatment, lightwrap.
Responsible for final comp.
Film scratch removal over skin, lace shirt, knit sweater.
Matched cloth deformation and wrinkling in flickering light.
Reprojected clean wall, ground, columns, fence, etc. in order to remove practical basketball players for CG replacements.
Initial comp of CG replacements and green platforms.
Conformed first round EDL of plates for roto artists to begin work before locked edit.
Director: Adam Berg
2D Lead: Paul O'Shea
Full spot and credits
Responsible for final comp.
Created frozen candelabra elements with heat haze, smoke, and interactive lighting.
Comped CG frozen jewelry.
Photographed formal garden elements for background matte painting.
Lots of wire removal.
Director: Frederick Bond
2D Lead: Kim Stevenson/Franck Lambertz
Full spot
Warped rear-view, passenger-side, and driver-side mirror elements to match perspective and parallax of combined exterior/interior/exterior virtual camera move.
Various car interior mattes cleanup.
Director: Adam Berg
2D Lead: Benoit Mannequin
Full spot and credits
Completely re-lit and rebuilt five CG cars from diffuse, normal and position passes, bringing out shape in body work and details.
Comped shadows, falloff, and vignette around snow matte painting.
Created animated bokeh on background element.
Direct interaction with agency client.
Directed by: Nez Khammal
2D Lead: Mark Holden/Jake Montgomery
Full spots: club, friend, dinner
Client-facing role with director and agency.
Designed virtual camera move to turn lockoff into a crane shot.
Extended, cleaned, and reprojected spiral garage structure onto spiral geometry.
Warped lockoff shots of different cars.
Designed and blocked preloader icon.
Director: Omri Cohen
2D Lead: Elliott Brennan
Full spot
Client-facing role with director and agency.
Comped CG building and cars.
Integrated light, shadow, and reflections into final comp.
Director: Omri Cohen
2D Lead: Elliott Brennan
Full spot
Multiplane cleanup: sink, mirror, background reflections
Director: Noam Murro
2D Lead: Jake Montgomery
Full spot and credits
Created matte painting of chained rocks; tracked and comped into shots.
Chain and background rig cleanup.
Director: Adam Berg
2D Lead: Jake Montgomery
Full spot and credits
Responsible for final comp.
Composited CG eyes to replace static puppet eyes.
Matched CG fur to puppet fur around eyes, eyelids.
Integrated light, shadow, and window glare into final comp.
Various background cleanup and car beauty work.
Director: Guy Shelmerdine
2D Lead: Kim Stevenson
Full spot
Rebuilt wheels to hide brake lockup.
Rebuilt reflection in pavement.
Cleaned foreground and background pavement.
Various car beauty work.
Director: Iain Mackenzie
2D Lead: Kim Stevenson
Full spot
Designed, timed, and comped "Mini Blizzard" animated transition.
Various mattes and cleanup.
Director: Brian Beletic
2D Lead: Ryan Knowles
Full spot
Designed and animated computer startup display.
Warped and retimed smoke puff
Director: Filip Engstrom
2D Lead: Kim Stevenson/Drew Downes
Full spot and credits
