datamosh western
Datamoshing in Avidemux. Matte painted in Photoshop. Project duration: ongoing. Who doesn’t love a little Takeshi Murata?
camera projection/boxes
Scene geometry modeled in Maya. Camera animated in Maya. Background plate cleanup in Photoshop.
camera stitch/bariatric
Role: Compositor. Pans tracked in Mocha and retimed in After Effects. Planar scene geometry modeled in After Effects. Camera animated in After Effects. Roto on one shot; all other roto provided. RED footage graded in Redcine and After Effects. Director: Garson Yu. Producer: Katie Rauh. Project duration: three weeks.
light effects/bill
Role: Compositor Lights’ animation relit in Shake. Foreground roto provided. Art Director: Neil Huxley. Producer: Katie Rauh. Project duration: three days.
chromakey
Keyed in Nuke with IBK soft edge and Primatte core. Background modeled and animated in Maya.
procedural dust bust
The difference between one frame and the next forms a basis for the selection of dust, dirt, etc. Ideal for static shots on very dirty film. No paint tool work. Nuke script. Director/Cinematographer: John Terry.
first
“It’s not only my dreams. My belief is that these dreams are yours as well. And the only distinction between me and you is that I can articulate them… It is my duty because this might be the inner chronicle of what we are, and we have to articulate ourselves–otherwise we would be cows in [...]
